nevver:

“We not trash, we are fuckin’ fancy.”

nevver:

“We not trash, we are fuckin’ fancy.

(via tokboo)

jesuisperdu:

adam frelin

“A long line of fluorescent lights were strung along a steel cable spanning the valley between two hills on a cattle ranch in Wyoming. The line of lights slightly bowed to mimic the curve of the valley 50′ below. When seen in this natural context fluorescent light is peculiarly similar to moonlight, yet the shadows it created, and the manner in which the valley was illuminated, were almost supernatural in appearance. A similar version was commissioned by the American Embassy for the International House of Japan. “White Line (Tokyo)” functioned like an effects machine, transforming their Japanese garden into an eerie, psychedelic wonderland.”

jesuisperdu:

adam frelin

“A long line of fluorescent lights were strung along a steel cable spanning the valley between two hills on a cattle ranch in Wyoming. The line of lights slightly bowed to mimic the curve of the valley 50′ below. When seen in this natural context fluorescent light is peculiarly similar to moonlight, yet the shadows it created, and the manner in which the valley was illuminated, were almost supernatural in appearance. A similar version was commissioned by the American Embassy for the International House of Japan. “White Line (Tokyo)” functioned like an effects machine, transforming their Japanese garden into an eerie, psychedelic wonderland.”

jesuisperdu:

adam frelin

“A long line of fluorescent lights were strung along a steel cable spanning the valley between two hills on a cattle ranch in Wyoming. The line of lights slightly bowed to mimic the curve of the valley 50′ below. When seen in this natural context fluorescent light is peculiarly similar to moonlight, yet the shadows it created, and the manner in which the valley was illuminated, were almost supernatural in appearance. A similar version was commissioned by the American Embassy for the International House of Japan. “White Line (Tokyo)” functioned like an effects machine, transforming their Japanese garden into an eerie, psychedelic wonderland.”

jesuisperdu:

adam frelin

“A long line of fluorescent lights were strung along a steel cable spanning the valley between two hills on a cattle ranch in Wyoming. The line of lights slightly bowed to mimic the curve of the valley 50′ below. When seen in this natural context fluorescent light is peculiarly similar to moonlight, yet the shadows it created, and the manner in which the valley was illuminated, were almost supernatural in appearance. A similar version was commissioned by the American Embassy for the International House of Japan. “White Line (Tokyo)” functioned like an effects machine, transforming their Japanese garden into an eerie, psychedelic wonderland.”

jesuisperdu:

feist - the bad in each other
dir. martin de thurah

hellanne:

(by Lukas Haider)

hellanne:

(by Lukas Haider)

(via woool)

(Source: acceptable, via and-words)

urbanoutfitters:

February 2012 / Photography by Tim Barber

urbanoutfitters:

February 2012 / Photography by Tim Barber

(via jesuisperdu)

bookspaperscissors:

Paul Rumsey

(via bibidebabideboo)

snowce:

Frank Frazetta

snowce:

Frank Frazetta

(Source: brighter-suns, via tkcokw)

bowman77:

Time Lapse Images of Earth at Night Taken From the International Space Station

(Source: britneys-unicorn, via wpost)

(Source: ccal, via phorbidden)

pjmix:

(by Lazy Blue)

pjmix:

(by Lazy Blue)

nkym:

Lichtenstein Alka Seltzer (via eyemagazine)

nkym:

Lichtenstein Alka Seltzer (via eyemagazine)

(via phorbidden)

(Source: yimmyayo)

(Source: mcqueenlovesme, via shinoddddd)